The Curse of Macbeth

Why "The Scottish Play" Is Feared in Theaters

Details

Uttering the name Macbeth inside a theater is considered a serious breach of theatrical etiquette, believed to bring misfortune, injury, or even death to cast and crew. In response, actors and stagehands refer to it cautiously as “The Scottish Play.” This superstition has persisted for over 400 years, deeply embedded in theatrical tradition.

The curse’s scope extends beyond mishaps to entire productions being plagued with technical failures, cast illnesses, or even closure. To counteract the supposed curse, actors who mistakenly say “Macbeth” indoors must exit the theater, spin around three times, spit, utter a curse, and knock to be let back in.

Historical Context

The superstition’s origins trace back to the early 17th century, around the time of Macbeth’s first known performances in 1606. Several legendary events contributed to its ominous reputation:

Witchcraft concerns: The play features actual incantations, which some believe provoked real witches to curse the production.
On-stage death: The actor originally cast as Lady Macbeth reportedly died before the first performance.
Sword fights gone wrong: The play’s many fight scenes have historically resulted in injuries due to the need for realistic weaponry.
Financial desperation: Troubled theaters would stage Macbeth to attract audiences, leading to a pattern of associations with bad luck and closure.

These elements fused over time into a potent myth that has shaped theater superstition more than perhaps any other play.

Modern Relevance

The superstition surrounding Macbeth remains surprisingly influential today. From Broadway to high school stages, theater practitioners across the globe adhere to the “Scottish Play” tradition. Even in professional training programs, instructors often include this lore in coursework to familiarize students with theatrical customs.

Some performers, regardless of personal belief in the curse, still take part in the protective rituals out of respect for tradition or group cohesion. Directors may make deliberate decisions about when—or if—the name is ever spoken during rehearsals.

The superstition has become part of popular culture, referenced in TV shows, films, and comedy sketches, demonstrating its reach far beyond the stage.

Sources

Huggett, R. (1981). The Curse of Macbeth and Other Theatrical Superstitions. Picton Publishing.
Ackroyd, P. (2006). Shakespeare: The Biography. Anchor Books.

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